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I’m Gatsby… I thought you knew, old sport. I was brought by a woman named Roosevelt – Fitzgerald continues name dropping, mentioning a member of the one of most prestigious New York families – two members of the Roosevelt clan were American presidents. – Owl Eyes describes Gatsby as being like David Belasco (1853 – 1931), a theatrical producer contemporary with Fitzgerald well known for his illusions of naturalism on stage. Owl Eyes still observes that ‘if one brick was removed the whole library was liable to collapse’ which has clear implications for Gatsby himself. Owl Eyes, as Nick later dubs him, exhibits great cynicism in examining the books and ascertaining that ‘They’re real’, then celebrating the achievement of realism. Gatsby’s library / Owl Eyes - Nick’s description of the ‘high Gothic library’ emphasises its lack of authenticity, precisely because it is so realistic: ‘probably transported complete from some ruin overseas.’ Nick and Jordan meet a man there who is drunkenly contemplating the room. Gatsby himself has not yet appeared in the novel, except viewed at a distance in the darkness at the end of Chapter 1. As a whole, the novel does little to resolve the enigma of Gatsby, of which this is an early example. I’ll bet he killed a man - Gatsby inspires sensationalist gossip, placing him as a German spy, a murderer and an American soldier during World War I. In 1922, the setting for the events of Chapter 3, she was the headline performer in the box office hit, Ziegfeld Follies. Gilda Gray (Octo– December 22, 1959) was a Polish American actress and dancer who became famous for her dance called the shimmy. Moving her hands like Frisco - Joe Frisco (1889 – 1958) was an American vaudeville performer famous for his jazz dance routine. The lights grow brighter as the earth lurches away from the sun - Light is an important feature of the party, here defying nature.
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Nick is invited and attends, where he meets Jordan again, and has several conversations with other guests. The chapter opens with a description of Gatsby’s parties and his hospitality. Resources for studying The Great Gatsby.Feminist interpretations of The Great Gatsby.Critical Approaches to The Great Gatsby.The use of religious imagery in The Great Gatsby.
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The Great Gatsby: Imagery and symbolism.More on Fitzgerald’s use of song in Chapter 5.The Great Gatsby: Synopses and commentary.Artistic expression in the modern world.Religious / philosophical context of The Great Gatsby.Social / political context of The Great Gatsby.Thomas Hardy, selected poems: context links.Romantic poets, selected poems: context links.The Return of the Native: context links.The Mayor of Casterbridge: context links.